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Film Noir
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LA Opera Off Grand Presents NOSFERATU: A Symphony of Horror

* This is a Sponsored Post*
My husband and I are two completely different people with different sensibilities when it comes to our personal interests.

Fortunately for us, we have a shared passion in classic films including those of the early 20th century like F.W. Murnau’s 1922 silent classic horror film Nosferatu.
Nosferatu is a film that is studied in film schools throughout the world for being a classic example of German Expressionism, and for showing the silver screen’s first vampire—played by Max Schreck. In this role, Schreck's Vampire is a disfigured creature complete with claws and fangs completely unlike Bela Lugosi's representation of Dracula that we are all familiar with.

Another interesting tidbit about the film is that while Nosferatu is based on Bram Stroker's Dracula, names and other details from the novel were changed because the studio could not obtain the rights (for instance, "vampire" became "Nosferatu" and "Count Dracula" became "Count Orlok").
To add to the mystery of this film, a host of musicians have re-scored this classic because the original score was lost, now including LA Opera's Artist in Residence Matthew Aucoin.

The LA Opera screening will include the original silent film played alongside live orchesteral score conducted by Aucoin.

Aucoin who will conduct his new score for chamber orchestra will incorporate composers of Murnau's time such as Schoenberg and Zemlinsky, as well as Schubert, Wagner and Weber, which will add an eerie feel to the movie during its Halloween screening.
This unique experience of the Nosferatu screening and live performance of the new score by L.A. Opera's chamber orchestra is being held at the Ace Hotel's Spanish Gothic 1920’s movie palace.

Tickets range from $19 - $89
NOSFERATU: A Symphony of Horror at

8 p.m. on Halloween Night

"Light & Noir" Exiles and Emigres in Hollywood, 1933-1950

This is a sponsored post. All opinions my own.

I haven't mentioned, until now, but I directed my first two mini-documentaries this semester. The one I'm proudest of, is the one that was inspired by my treatment of a student History Department thesis about the "dirty business" of the film industry in the Golden Age of Hollywood.

Within this thesis I found a rough gem that I wanted to explore further: The Hollywood Production Code, also known as the Hays Code of the 1930's; a morality code and precursor to the TV & Movie rating system.

Although I was already a huge fan of this era, I was ignorant to what went on during this time behind the scenes. Through my documentary research and re-watching films with a new perspective, really brought to light stories that I was completely unaware of.

Another Hollywood behind-the-scenes history lesson is coming in the place of a special exhibit at the Skirball Center in Los Angeles aptly titled "Light & Noir" Exiles and Emigres in Hollywood, 1933-1950 which is open to the public until March 1, 2015.

This exhibit explores how the experiences of German-speaking exiles and emigres who fled Nazi Europe -many of them Jews- influenced classic films of Hollywood's Golden Age, such as Sunset Boulevard, Double Indemnity, Casablanca, to name a few. 

The exhibition will also spotlight acclaimed of actors, directors, writers, and composers, focusing on their impact on American cinema and culture; and through a never-before-assembled selection of film footage, drawings, props, costumes, posters, photographs, and memorabilia.

Light & Noir tells the story of Hollywood’s formative era through the lens of the émigré experience, focusing on genres in which the exiles and émigrés were especially productive: the exile film, the anti-Nazi film, film noir, and comedy. 

The exhibit features costumes worn by Marlene Dietrich, Humphrey Bogart, Ingrid Bergman, and Joan Crawford; as well as the Max Factor Scroll of Fame, and the original props from the set of Rick's Cafe in Casablanca.

The exhibition will also demonstrate how the experiences of exodus and exile affected the lives and work of emigres in many different ways - just as it does now...and just like my story and my perspective on the past influenced how I viewed the thesis that inspired my first mini-documentary.

In addition, various activities and film screenings will take place to further explore this era through the eyes and experiences of experts. I will be at be at the History of Fashion and Makeup talks on Sunday, December 7, and hope you can join me!

If you are a lover of film and obsessed with history and Hollywood as I am, you will not want to miss the exhibit

READINGS AND TALKS

Gabriela Hernandez—Bésame Cosmetics*
Sunday, December 7, 2:30 p.m.
*client
FILM SCREENINGS
Somewhere in the Night
Tuesday, January 6, 1:30 p.m.

The Woman in the Window
Thursday, January 8, 8:00 p.m.*

The Stranger
Tuesday, January 13, 1:30 p.m.


Confessions of a Nazi Spy
Tuesday, February 3, 1:30 p.m.

Act of Violence
Tuesday, February 10, 1:30 p.m.

The File on Thelma Jordon
Thursday, February 12, 8:00 p.m.*

From Hitler to Hollywood
Sunday, March 1, 11:00 a.m.

______

Admission to this special exhibit is included with your Skirball Cultural Center Admission, or Free to all on Thursdays.

This was a sponsored post. All opinions my own.
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